Terror Bird-Shadows In the Halls

The sound of a metroplitan zoo. Where is the key? They found the zookeeper in the park, hanging by his lovely well-formed swan-like neck. He or she is well groomed and freshly attired. In his pocket, a scrap of paper; the phone number of the Vatican. The key is still lost. Musically a call is made, long distance. There is an anwering machine. Is it the voice of the Pope? No, a nun. The nun sounds friendly and courteous. There is a joyful sorrow as the band takes the stage and moisture runs down the wall of the club. Slowly, the zoo animals get angry. They yell for meats and medicine. But there is no key. The key was swallowed by the zookeeper. Where is the corpse? Surely the corpse can be retrieved, the key removed and cleaned in solvents? But the corpse was taken and the corpse burned to the music of syntheisizers and other instruments unknown to the earliest settlers on the New World. Soon, the noise stops. Slowly the young men and women go home. (Jason Ainsworth, Terror Bird's spiritual representative)

There is no romance here. There is a machine to break romance and make new guilt. The ears are for breaking. Sound makes a necklace of human ears. The band has no eyes or ears. There is sound in pockets. Created unfortunately by Situationism, Letterism and far-nu politics, Terror Bird reimagines the music of forced entertainment in the image of an new astrological sign for men born pregnant and weeping.This is the music of a noble eagle born with a human head that can only cry.... it flies but makes the music of a scalded baby. ///Terror Bird and other similar Animals Mathematically Deconstructed. (-1) The primitive urge for Musical Geometry. (00) Using the mail for gain. (0) Pioneer Massacres. (1) So-called “pop” music as seen Metaphysically through Irradiation. (2) revenge. (3) Waist-High Nylons. (4) Seducers of the old and Infirm. (5) Listening at Gun point or Knife point. (6) microwave parties.